Thursday, January 26, 2017

Weekend Watching: Gaslight


"You're slowly and systematically being driven out of your mind."
Joseph Cotton as Brian Cameron in Gaslight

The term "gaslighting" has been making the rounds in American political discourse. My advice? See this classic film. 

Gaslighting, which is synonymous with manipulating a person or group into thinking that they are going out of their minds, comes from a classic play Gas Light that has been adapted to film twice. The 1944 version of Gaslight, staring the incandescent Ingrid Bergman, is my favorite. 

Bergman stars as Paula, a troubled young woman who witnessed her aunt being murdered as a child. As an adult, Paula is caught up in a whirlwind romance, gets married, and is now living with her new husband in relative isolation. Unfortunately for Paula, her happiness in love is short-lived. Soon, she begins seeing and hearing things... a creaky floor, a flickering gaslight. Her husband assures her that she's mistaken. Eventually Paula begins to think that she is going mad. But is she? 

Gaslight explores psychological abuse in a creepy, personal way. Watch it and you can decide for yourself whether or not it is a good metaphor for the state of our body politic.

Friday, January 20, 2017

Bingeworthy: Rectify

 "At the least I feel that those specific coping skills were best suited to the life there, behind me. I doubt there will serve me so well for the life in front of me, so I will seriously need to reconsider my world view." 
Daniel Holden in Rectify

Last week, I mentioned the glacial pace of one of my favorite shows, Rectify. Rectify, a moody, dreamy Southern Gothic drama about a man who is released from prison after serving 19 years for a rape and murder he may or may not have committed, moves at the pace of a humid Southern town in August. There is plenty of time to watch Daniel Holden struggle with life outside his cell walls and to watch his family struggle to reintegrate him into their web of relationships. And, there's ample space to enjoy sunset and fireflies and classic drawls (Clayne Crawford's Alabama roots shine in his spot-on performance as a Southern frat-guy character Ted Talbot Jr.).  

There are also many opportunities to consider the nature of justice, redemption, conversion, and repentance. How does a man who will always be connected to a terrible crime find forgiveness or freedom? Daniel struggles to attain both. How does 'hope deferred' change a person? Daniel's fiercely loyal sister Amantha, who worked for her entire adult life to secure his release, struggles to find meaning in her life. For those interested in conversations about whether or not the criminal justice system should be retributive or restorative, Rectify gives viewers a meditation on what imprisonment does to a human soul. And, there is one scene - a classic tent meeting complete with gospel choir and baptisms - that captures the enthusiasm and earthiness of revivalism in the American South. 

If you want a visual treat, a thoughtful discussion of justice and love, and an immersion into Southern religion, try Rectify.

Friday, January 13, 2017

Weekend Watching: The OA


There are certain things that I know I should like, but I just can't. Like sushi (not cosmopolitan enough). Or hiking (not outdoorsy enough). Or craft beer (not hipster enough). The OA falls under that category. The premise is this: a young woman, Prairie Johnson, makes a dramatic reappearance in middle America after disappearing for seven years. Her parents are anxious to welcome her back to her old life, but there's something very different about her this time around. For one thing, she used to be blind but now can see. For another, Prairie insists that she be called The OA. Mystery surrounds this woman and soon she attracts a ragtag group of followers who are fascinated by her storytelling abilities.

I could go on, but I'll just stop there. You know, dear readers, that I am a fan of this genre. But in order for a high concept show like this one to work, a viewer needs to be able to buy into that concept (or even just understand what it is) by the time the first episode concludes. The OA doesn't provide any such narrative structure. Without a story core to hold it together, we at least need some snappy dialogue or chemistry between characters to stay with it. But, the pacing of The OA is slow. Glacial. And, I can handle slowly paced television (Rectify is one of my favorites!).

It's really a shame because The OA plays with a lot of themes that historians of religion appreciate. The idea that a story can change the world, change history, and change the hearer in a fundamental way has rich potential. And, The OA herself - a fragile woman with mystical powers and reluctant but mesmerized followers - almost makes me want to watch a season 2. Am I missing some way to frame The OA that will help me recognize its greatness? You tell me.